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From the sludge-drenched opening notes of Here To Stay, to the creepy goth vibe of Make Believe ("my favourite song on the record," Jonathan says. With Michael pushing the band, Untouchables came together and was finally released on June 11, 2002. I didn’t like it there, I wasn’t vibing, so we moved, paying for lodging for everyone… It was crazy.” We could basically do whatever we wanted – we rented out three houses in Arizona just to write the record, then I started doing vocals and melodies in Canada. It wasn’t all booze and chicks and drugs by that point, it was just money. "I locked myself in the master bedroom and wrote all there. "Everyone was partying and I was the only sober one," Jonathan recalls (Head recently commented on how he was also "trying to get sober" around this time). These were the last days of Rome, so far as the hedonism of the past were concerned, and while Korn (or Jonathan, at least) had given up the sex and drugs that had characterised Follow The Leader, there was still plenty of excess to be found. "But we didn’t care about how popular we were or how much people were paying attention – we just wanted to make good art." "When the nu metal thing first really took off, there were a billion Korns," Jonathan says. With other nu metal bands now climbing the charts - including onetime Korn-kopyists Limp Bizkit - eyes were on Korn to see if they could again redefine the genre they helped popularise as a nu millennium dawned.
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Its 1999 follow-up Issues achieved similar commercial success, but was met with lukewarm critical response as reviewers felt the album was rushed and just rehashed old ideas (something we don't particularly agree with).
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They had also spawned a procession of imitators, dismissively dubbed by their former producer Ross Robinson as "tracksuit metal".ġ998's Follow The Leader had been hailed as a genre-defining masterpiece, while also taking the band to the top of the charts. The band had spearheaded the nu metal revolution in the mid-90s, opening the gates for a legion of boundary-pushing groups who redefined the look and sound of heavy metal. In 2002, it was exactly what Korn needed.